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Country: United States
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Expertise: Women's History


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Member Since: 2/23/2003

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Thursday, July 24, 2003

this post has been updated with new directions for the Women's History Zine button you can put on your site.

There are 39 subscribers here.  That's right 39 which is not so bad for a non-premium site that has been around just a few months.  I am happy to contribute one piece each month,  but I really didn't want this to be a "Babs tells the world who's cool" zine.  I mean, yes I am the goddess of the universe and all that, but I could use a hand here.

there must be some woman you admire--famous, not famous, will be famous, whatever--so write about her, share her with us, we want to know!!!  Read the Submission Guidelines and then send me something.  Your profile can be as brief as 150 words (and I'm not exactly counting them)--I can write 150 words about a blade of grass, I'm sure you can write that many about your hero.

and hey, let's say you don't have any heroes but you want to help out anyway, you can do that with this lovely new graphic:

and this simple html:

{a href="http://www.xanga.com/WomensHistoryZine"}{img src="http://i.xanga.com/BabalonTheBride/whzbutton.jpg"}{/a}

replacing all { with < and all } with >

If you have premium you can put it anywhere you like, if you don't, slap it at the bottom of your page (in the web stats box in the "look & feel" feature).

xxoo
Babs


Tuesday, July 22, 2003

Phoolan Devi

Bandit Queen, Politician

"Do you have any idea what it's like to live in a village in India? What you call rape, that kind of thing happens to poor women in the villages every day. It is assumed that the daughters of the poor are for the use of the rich. They assume that we're their property. In the villages the poor have no toilets, so we must go to the fields, and the moment we arrive, the rich lay us there; we can't cut the grass or tend to our crops without being accosted by them. We are the property of the rich."

Phoolan Devi was a trouble maker. Don't let the movies confuse you, it wasn't rape or molestation that drove her to it, she just was. At the age of ten the illiterate daughter of a low caste fisherman born in the tiny village of Gorha Ka Purwa, in Uttar Pradesh, on the banks of the Yamuna River staged her very first protest. Her uncle had forced her father out of the family house, making them live in a Hut by the river, when young Phoolan heard this she rushed to his fields and refused to move. She was beaten unconcious by her cousin with a brick. This is what brings about Phoolan's early marriage, she is a troublemaker and the family wants to marry her off in order to shut her up. She was eleven.

She returns home to escape the marriage and spends almost a decade tending to the family land and leading a shamed but domestic life. But when she is twenty, Phoolan presses village officials to re-open the land dispute between her father and his brother. She is forced to return to her husband, Puttilal, whom she finds has taken another wife, Vidya. The second wife is a cruel woman who harasses and humiliates Phoolan and pressures Puttilal to send his first wife away. He does and when she returns once more to her family, Phoolan finds her uncle, as retribution, destroying all of her father's crops. Phoolan throws a rock, she is once again beaten and this time arrested. Out on bail she gets kidnapped by bandits.

The leader of the gang that has kidnapped Phoolan Devi, Babu Singh Gujar threatens to rape her and Vikram Mallah, the second in charge puts a bullet through him. Vikram and Phoolan become lovers and he encourages her to get retribution on her husband and his wife. She beats them both, leaving them alive to tell the tale. Soon they are leading the gang of bandits together but Vikram is shot, and Phoolan is captured.

She is repeatedely raped by the Thakur men in the gang and brutalized by a woman in the gang. She is bound and paraded through villages. This tough broad escapes, gets to a cousins house and recuperates. she teams up with Man Singh, a bandit who becomes her lover. They loot. They plunder. They are bandits. Phoolan and her gang track the rival bandits who had raped her to the village of Behmai. They kill twenty-two men and there is a price put on Phoolan's head.

Phoolan emerges as the clear leader of the gang, which has started to splinter, many of them shot by the police. The police panic and start killing bandits all over the countryside and left as warning for the poor girl from the fishing town. She is hunted like an animal and for two years she gives the police the slip. She outsmarts them and she taunts them and even as the more famous bandit leaders surrender, she keeps going.

Finally, she meets with a policeman several times and negotiates her surrender. And if it had ended there, with her saying, "What do I know about, except using a rifle and cutting grass?" it would be a remarkable story, but of course it doesn't.

Phoolan Devi served eleven years in jail—without a trial—when, in 1994, the recently elected chief minister of Uttar Padesh, Malayam Singh Yadav—a lower caste member like Phoolan—ordered state lawyers to drop all charges against her. A pardon, Indian style. The dismissal of charges against Phoolan turned her into a genuine folk hero. She symbolized the vindication of the lower caste in an upper caste system.

Upon her release from prison, Phoolan Devi announced her plans to run for a seat in the Lower Parliament. With her appeal as a folk hero and the more general movement to elect lower caste government officials, Phoolan easily won and served until she was murdered in 2001.


Resources:

from The Atlantic Online
BBCNews

*note:  I do not recommend the movie "based" on her life "Bandit Queen". She threatened to kill herself in protest of it's release, "In the film I'm portrayed as a sniveling woman, always in tears, who never took a conscious decision in her life. I'm simply shown as being raped, over and over again."


contributed by BabalonTheBride


Sunday, June 15, 2003

Century of Struggle

and Eleanor Flexner 

In 1959 Harvard University Press published a book called Century of Struggle by Eleanor Flexner.  It chronicled the American Woman's Suffrage movement with style, grace and hard academic grounding. Eleanor Flexner wrote her book at a time when few women were "concerned with the discrepancies existing between what men and women were paid, the small number of women in political life or public office and the actual decline of their number in the areas of scholarship, education, or business".  Betty Friedan's The Feminine Mystique would not appear for four years.

 

Flexner wrote a lively AND rigorously researched history of American Women's struggle for equality.  And she did it at a time when most people couldn't be pulled away from their post-war prosperity to notice.  Her book is essential for a good understanding of a more inclusive American history, but it's the bold implication of this book that makes this history text historical.

 

For arguably the first time in American academia, someone of skill and talent proved that women were worth studying.  Not as the victims of hysteria or other psychological deviance, but as contributors to our country.  As builders and shapers of our nation.  For the first time we existed not as "lone nuts" who compromised femininity to compete with men.  Century of Struggle makes it very clear that significant women were not the exception--they were the rule.  Many women worked for suffrage and before that abolition of slavery, and before that, American independence. 

 

Flexner did produce other work, including ''Mary Wollstonecraft: A Biography'', published in 1972 and nominated for a National Book Award.  Her biography of the influential Romantic author and philosopher is still considered the standard, but I think Century of Struggle will always stand out as the most significant.  Her legacy was proving that women had something to say, that they would always have something to say because they always have.

 

I wish I had read Century of Struggle in High School because when I got to college I had a history professor teaching a mandatory course on "World Civilizations" tell me that "Until recently women have not done anything of historical significance."  Now I would laugh and tell him that he is a piss poor scholar if he thinks that's true.  Women have been doing significant things since civilization began between the Tigris and Euphrates, and good scholars know that.  Eleanor Flexner knew that.



"Never...has a book done more to relate the women's rights movement in the United States to the centuries-old struggle of the individual to attain his (or her) full stature in society. Woman's fight for the franchise is here presented, not as a separate shred torn from history, but as part of the warp and woof of national progress...Flexner admirably refrains from idealizing her subjects, rightly judging that the facts need no gilding to show in true proportions the stature of these valiant women."

--Christian Science Monitor


Select Bibliography:

Century of Struggle
Mary Wolstonecraft: A Biography
American Playwrights 1918-1938: The Theatre Retreats from Reality

Internet References: 
Northampton's Eleanor Flexner (from downstreet.net)


contributed by BabalonTheBride


Wednesday, May 14, 2003

Theo Moorman

Fiber Artist

 

Born in 1907, Theo Moorman was one of the premiere fiber artists of the 20th century. Attending school in the 1920s, she learned weaving as a utilitarian vocation. But, Theo was a bold woman who found her way to artistic self-expression through a practical trade.

Besides the hundreds of altar cloths, wall hangings and assorted fine art pieces Theo left behind, she also gave the world a simpler technique than the traditional tapestry for weaving pictorially. Her 1975 book, Weaving As an Art Form: A Personal Statement, was a guide for using the Moorman Technique. The book, a highly enjoyable read, was also an artist's autobiography, chronicling her evolution from textile house weaver to visionary artist.

Following her death in 1990, the University Gallery in Leeds, England commemorated Theo Moorman with a retrospective of her work. Theo Moorman 1907-1990 Her Life and Work as an Artist Weaver, edited by Hilary Diaper, offers further insight into this amazing woman's work.


Resources:

from The Singing Weaver
Weaving As An Artform


contributed by BabalonTheBride


Monday, May 05, 2003

Jessica Mitford 

Jessica Mitford was an amazing woman. She's been gone from our physical earth for about seven years now, but she really changed my life in many ways.

Right out of high school, I worked in a mortuary. Many cities feature "funeral homes", which are small family-run businesses in which the family usually resides in the same building that they do funeral services, embalming and body preparation, and other business, in. I worked for a large corporation - it was the largest funeral business in the huge southern California city I lived in. It was also owned by a large corporation that held mortuaries like ours nationwide - basically, it was the Exxon of funeral homes.

Working for a mortuary opened my eyes to death. To our bizarre culture and the way we approach death and the way we treat death. We are so afraid of death. In some ways, with our more Christian history, you'd think we'd be almost giddy at the prospect of death - going to meet our maker, so to speak. But, no, Americans want death to be tidy and neat and fit nicely into an expensive, shiny casket.

I saw many families with little or no money go deep in debt over funerals. Over "air tight" caskets. Over mahogany caskets. Over large services with flowers. Over placing their loved ones in mausoleums (our grounds featured the world's largest indoor mausoleum with four floors - and still more adding on!). It was a weird place to work. I did make up. I did death certificates. Obtained burial permits.

Jessica Mitford is probably best known for her book The American Way of Death. This stellar piece of critical journalism was re-released recently as a revised book. I cannot recommend this book enough to everyone - it is to the funeral industry what Suzanne Arms' Immaculate Deception was to the birth industry.

Ms. Mitford, or Decca, as she was called, also wrote a fabulous book called The American Way of Birth. I wish that this book was revised and reprinted, but you can pick up a used copy most places. The sad thing is, most of the information in her Birth book still stands. Not much has changed since its original publication in 1992.

Both books changed my life in so many ways. Her Death book made me acutely aware that there HAD to be an "alternative" to those high-cost funerals. Since reading her book, I've researched green funerals - do-it-yourself funerals for people opposed to the high price and unnecessary addition to grief that some in the funeral industry bestow. I am now more convinced than ever that I do NOT want to die in a hospital unless absolutely necessary, and I do NOT want to spend a minute in a funeral home's refridgerator or be embalmed and placed in a nylon-lined casket. I thank her for opening my eyes and pushing me to find alternatives. (The Funeral Consumers Alliance is the best, most kick-ass reference for anyone planning a funeral!!! Here are some other great links to death information and healing our perspectives and attitudes about death and dying...)

Not that I plan on dying anytime soon, but I just don't want my family and loved ones spending good money for something that is worthless and not a reflection of how I lived my life.

Her American Way of Birth is a great read for those wishing to expand their knowledge about how we as Americans approach birth - and what changes are being made to shift the views.

Some things in my life have brought her back into my awareness again - mainly that a prospective client and her partner are morticians. I feel perfectly comfortable with the funeral industry as a whole, as I feel they offer what people want - it's really the consumers that need to shift the awareness. But, my views on traditional funerals are pretty negative. I won't mention to them how I feel about this at all - after all, do I discuss politics with my conservative clients? Still, I have been thinking about how far I've come from the 19 year old that worked in the large mortuary, applying green eyeshadow to someone's gramma...well, the shell of someone's gramma. Talking to her while I did it, coloring her hair a shade that she probably didn't have in the past twenty years (people brought in old pics and said, "make her look like this"....). Wow. I'm a bit stunned at the transformation in my life - and alot of it is due to Decca.

Thank you, Decca. :)




Muckraker


Select Bibliography:

The American Way of Death
The American Way of Birth

Internet References: 
Jessica Mitford Memorial Site


contributed by pamamama



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